Length: 209 sec.

Format: 4:4:4:4 (LogC)

Digital Sources: None

Aspect Ratio: 16:9

Click for full details

NX- Process plate straight back on a two lane (mostly) rural highway. Very dark, Remote.

Length: 181 sec.

Format: 4:4:4:4 (LogC)

Digital Sources: None

Aspect Ratio: 16:9

Click for full details

NX- Process plate straight back on a two lane (mostly) rural highway. Very dark, Remote.

Length: 87 sec.

Format: 4:4:4:4 (LogC)

Digital Sources: None

Aspect Ratio: 16:9

Click for full details

NX- Process plate straight back on a two lane (mostly) rural highway. Very dark, Remote. We seen blue and red emergency lights come on as though being pulled over for a ticket from a police car, sheriff car, CHP and we pull over and stop.

Length: 61 sec.

Format: 4:4:4:4 (LogC)

Digital Sources: None

Aspect Ratio: 16:9

Click for full details

NX- Process plate straight back on a two lane (mostly) rural highway. Very dark, Remote. We seen blue and red emergency lights come on as though being pulled over for a ticket from a police car, sheriff car, CHP.

Length: 150 sec.

Format: 4:4:4:4 (LogC)

Digital Sources: None

Aspect Ratio: 16:9

Click for full details

NX- Process plate straight back on a two lane (mostly) rural highway. Very dark, Remote. We seen blue and red emergency lights come on as though being pulled over for a ticket from a police car, sheriff car, CHP. We pull over and stop,

Length: 49 sec.

Format: 4:4:4:4 (LogC)

Digital Sources: None

Aspect Ratio: 16:9

Click for full details

NX- Process plate straight back on a two lane (mostly) rural highway. Very dark, Remote. We seen blue and red emergency lights we begin pulled over for a ticket from a police car, sheriff car, CHP. Then we drive away back onto the highway.

Length: 88 sec.

Format: 4:4:4:4 (LogC)

Digital Sources: None

Aspect Ratio: 16:9

Click for full details

NX- Process plate 90 to driver parked on a two lane (mostly) rural highway. Very dark, Remote. We are pulled over to the side parked. We see police lights reflecting off the trees?

Length: 32 sec.

Format: 4K R3D

Digital Sources: None

Aspect Ratio: 16:9

Click for full details

DX- Raking shot of "The Wall" on the border between the US and Mexico in San Diego. The wall is metal slats and we are in a remote area. (Part of set extension series)

Length: 33 sec.

Format: 4K R3D

Digital Sources: None

Aspect Ratio: 16:9

Click for full details

DX- Raking shot of "The Wall" on the border between the US and Mexico in San Diego. The wall is metal slats and we are in a remote area. (Part of set extension series)

Length: 30 sec.

Format: 4K R3D

Digital Sources: None

Aspect Ratio: 16:9

Click for full details

DX- Raking shot of "The Wall" on the border between the US and Mexico in San Diego. The wall is metal slats and we are in a remote area. (Part of set extension series)

Length: 28 sec.

Format: 4K R3D

Digital Sources: None

Aspect Ratio: 16:9

Click for full details

DX- Raking shot of "The Wall" on the border between the US and Mexico in San Diego. The wall is metal slats and we are in a remote area. (Part of set extension series)

Length: 43 sec.

Format: 4K R3D

Digital Sources: None

Aspect Ratio: 16:9

Click for full details

DX- Raking shot of "The Wall" on the border between the US and Mexico in San Diego. The wall is metal slats and we are in a remote area. (Part of set extension series)

Length: 33 sec.

Format: 4K R3D

Digital Sources: None

Aspect Ratio: 16:9

Click for full details

DX- Raking shot of "The Wall" on the border between the US and Mexico in San Diego. The wall is metal slats and we are in a remote area. (Part of set extension series)

Length: 27 sec.

Format: 4K R3D

Digital Sources: None

Aspect Ratio: 16:9

Click for full details

DX- Raking shot of "The Wall" on the border between the US and Mexico in San Diego. The wall is metal slats and we are in a remote area. (Part of set extension series)

Length: 14 sec.

Format: 4K R3D

Digital Sources: None

Aspect Ratio: 16:9

Click for full details

DX- Follow a Black Tesla right to left towards camera on a remote rural road then as it passes by camera tilt up to overhead trees.