Length: 70 sec.
Format: 4:2:2 (LogC)
Digital Sources: None
Aspect Ratio: 16:9
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NX- Parked Process Plate- Locked off/static- 45 to Passenger- Parked at curb, ND city street, bus stop. (has all angles)
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Length: 55 sec.
Format: 4:2:2 (LogC)
Digital Sources: None
Aspect Ratio: 16:9
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NX- Parked Process Plate- Locked off/static- 2 Shot to Driver/90 to Driver side plates- Parked at curb, ND city street, small businesses. Moderate traffic. Covered bus stop across street. (has all angles)
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Length: 34 sec.
Format: 35mm
Digital Sources: HI Def & Digi Beta
Aspect Ratio: 16:9
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DX- Down on 3 story tan Gothic stone mansion courtyard of country estate or European Chateau, driveway entrance seen, stone wall- holds then pan R along house, fog, Fall/Winter
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Length: 35 sec.
Format: 35mm
Digital Sources: HI Def & Digi Beta
Aspect Ratio: 16:9
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DX- High down hold on large upscale two story hilltop stone house or mansion with backyard in fg, tennis court- then pan L to see swimming pool. City basin in bg, windy
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Length: 31 sec.
Format: 35mm
Digital Sources: HI Def & Digi Beta
Aspect Ratio: 16:9
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DX- High down hold on backyard in fg with swimming pool & tennis court and large upscale two story hilltop stone house or mansion in bg, City basin in bg, windy- then pans Right then pans left a bit
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Length: 22 sec.
Format: 35mm
Digital Sources: HI Def & Digi Beta
Aspect Ratio: 16:9
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DX- High down hold on backyard in fg with swimming pool & tennis court and large upscale two story hilltop stone house or mansion in bg, City basin in bg, windy- then pans Right
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Length: 30 sec.
Format: 35mm
Digital Sources: HI Def & Digi Beta
Aspect Ratio: 16:9
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DX- tilt up off "Larch Street" sign to nice upscale two story house/ Tudor style brick house, chimney, fall/autumn trees- holds then slow pan down left to sign again, rkd L. (same house with explosion rolls!)
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Length: 16 sec.
Format: 35mm
Digital Sources: HI Def & Digi Beta
Aspect Ratio: 16:9
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DX- pan R off trees to nice upscale two story house/ Tudor style brick house, chimney, fall/autumn trees, rkd L. (same house with explosion rolls!)
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Length: 14 sec.
Format: 35mm
Digital Sources: HI Def & Digi Beta
Aspect Ratio: 16:9
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DX- High angle/Panorama- Pan L over San Francisco to downtown skyline. Bay/hills in b.g.
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Length: 13 sec.
Format: 35mm
Digital Sources: HI Def & Digi Beta
Aspect Ratio: 16:9
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DX- High angle/Panorama- Pan L over San Francisco to downtown skyline. Bay/hills in b.g.
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Length: 12 sec.
Format: 35mm
Digital Sources: HI Def & Digi Beta
Aspect Ratio: 16:9
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DX- High down/Panorama- Pan L/up over San Francisco to downtown skyline. Bay/hills in b.g.
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Length: 13 sec.
Format: 35mm
Digital Sources: HI Def & Digi Beta
Aspect Ratio: 16:9
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DX- High down/Panorama- Pan R/up over San Francisco to bay bridge. Bay/hills in b.g.
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Length: 15 sec.
Format: 35mm
Digital Sources: HI Def & Digi Beta
Aspect Ratio: 16:9
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DX- High down/Panorama- Pan L over San Francisco/bay w/ many sailboats, to Alcatraz prison.
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Length: 15 sec.
Format: 35mm
Digital Sources: HI Def & Digi Beta
Aspect Ratio: 16:9
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DX- High angle/Panorama- Pan R over San Francisco to downtown skyline. Bay/hills in b.g.
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Length: 13 sec.
Format: 35mm
Digital Sources: HI Def & Digi Beta
Aspect Ratio: 16:9
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DX- High down/Panorama- Pan L/up over San Francisco to downtown skyline. Bay/hills in b.g.
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Length: 12 sec.
Format: 35mm
Digital Sources: HI Def & Digi Beta
Aspect Ratio: 16:9
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DX- High angle- Pan L over San Francisco/bay to Golden Gate Bridge/hills.
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Length: 12 sec.
Format: 35mm
Digital Sources: HI Def & Digi Beta
Aspect Ratio: 16:9
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DX- High angle/Panorama- Pan L off Bay Bridge to downtown San Francisco skyline.
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Length: 14 sec.
Format: 35mm
Digital Sources: HI Def & Digi Beta
Aspect Ratio: 16:9
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DX/DUSK- Wide/LS- Pan R off Raked L Bay Bridge to San Francisco skyline across bay.
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Length: 15 sec.
Format: 35mm
Digital Sources: HI Def & Digi Beta
Aspect Ratio: 16:9
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DX/DUSK- Wide/LS- Pan R off Raked L Bay Bridge to San Francisco skyline across bay.
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Length: 15 sec.
Format: 35mm
Digital Sources: HI Def & Digi Beta
Aspect Ratio: 16:9
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DX/DUSK- Wide/LS- Across bay, Pan L off tour boat to San Francisco skyline.
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