AM Stock Cameo Film Library - 'The World As You Imagine It'
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Searching for "motorcycle" found 286 matches.
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Info

Length: 64 sec.

Format: 4:4:4:4 (LogC)

Digital Sources: None

Aspect Ratio: 16:9

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DX- A small dolly move up as a classic pickup truck runs a stop sign and we see a motorcycle cop policeman from the left side street with his emergency flashers get behind and pull over the truck. The cop gets off his bike and approaches the driver side of the truck.

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Length: 40 sec.

Format: 4:4:4:4 (LogC)

Digital Sources: None

Aspect Ratio: 16:9

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DX- A small dolly move up as a classic pickup truck runs a stop sign and we see a motorcycle cop policeman from the left side street with his emergency flashers get behind and pull over the truck. The cop gets off his bike and approaches the driver side of the truck.

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Length: 28 sec.

Format: 4:4:4:4 (LogC)

Digital Sources: None

Aspect Ratio: 16:9

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DX- We see a motorcycle cop sitting behind a parked car then a pickup truck runs a stop sign and the cop puts on his emergency lights and goes after the truck.

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Length: 26 sec.

Format: 4:4:4:4 (LogC)

Digital Sources: None

Aspect Ratio: 16:9

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DX- We see a motorcycle cop sitting behind a parked car then a pickup truck runs a stop sign and the cop puts on his emergency lights and goes after the truck.

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Length: 45 sec.

Format: 4:4:4:4 (LogC)

Digital Sources: None

Aspect Ratio: 16:9

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DX- We see a motorcycle cop sitting behind a parked car then a pickup truck runs a stop sign and the cop puts on his emergency lights and goes after the truck.

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Length: 26 sec.

Format: 4:4:4:4 (LogC)

Digital Sources: None

Aspect Ratio: 16:9

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DX- We see a motorcycle cop sitting behind a parked car then a pickup truck runs a stop sign and the cop puts on his emergency lights and goes after the truck.

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Length: 26 sec.

Format: 4:4:4:4 (LogC)

Digital Sources: None

Aspect Ratio: 16:9

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DX- We see a motorcycle cop sitting behind a parked car then a pickup truck runs a stop sign and the cop puts on his emergency lights and goes after the truck.

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Length: 5 sec.

Format: 4:4:4:4 (LogC)

Digital Sources: None

Aspect Ratio: 16:9

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DX- A motorcycle policeman pulls away from camera and turns right. He has his emergency lights on.

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Length: 160 sec.

Format: 4:4:4:4 (LogC)

Digital Sources: None

Aspect Ratio: 16:9

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DX- process plate- 45 to driver- four lane rural highway ( 2 lanes each direction). Light traffic, some semi trucks; fruit orchards and farmland. We then pull over, stop, and parked on side of highway, black and white police car by, motorcycle away on other side, (various angles)

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Length: 138 sec.

Format: 4:4:4:4 (LogC)

Digital Sources: None

Aspect Ratio: 16:9

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DX- process plate- 45 to driver- four lane rural highway ( 2 lanes each direction). Light traffic, some semi trucks; fruit orchards and farmland. We then pull over, stop, and parked on side of highway, black and white police car by, sports car, motorcycle by, see another motorcycle away on other side (various angles)

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Length: 80 sec.

Format: 4:4:4:4 (LogC)

Digital Sources: None

Aspect Ratio: 16:9

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NX- looking over to downtown city street with power poles in fg, see cars/SUVs and motorcycle thru (security camera) (traffic cam)

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Length: 75 sec.

Format: 4K R3D

Digital Sources: None

Aspect Ratio: 16:9

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DX- static looking directly across the street to a corner 3 story corner office building with stores and businesses on the bottom floor and brick apartments or offices above, overcast, green tree, cars by in both directions, pedestrians on sidewalk, bicyclists by, person on moped motorcycle by

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Length: 94 sec.

Format: 4K R3D

Digital Sources: None

Aspect Ratio: 16:9

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NX- Master straight back process plate in which we Turn right from parking lot in front of office building onto a two lane city street in downtown Las Vegas. Down look. We turn left into the driveway of a wedding chapel and see a motorcycle police follow us in.

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Length: 170 sec.

Format: 4K R3D

Digital Sources: None

Aspect Ratio: 16:9

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DX- Process Plate 45 to passenger and begin parked the pullover and drive down a tree lined residential street. Houses mostly one story. WE run a stop sign and see a motorcycle cop pull in behind us as pulls us over. We stop and wait while he walks up to the car.

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Length: 145 sec.

Format: 4K R3D

Digital Sources: None

Aspect Ratio: 16:9

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DX- Process Plate 45 to passenger and begin parked the pullover and drive down a tree lined residential street. Houses mostly one story. WE run a stop sign and see a motorcycle cop pull in behind us as pulls us over. We stop and wait while he walks up to the car.

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Length: 167 sec.

Format: 4K R3D

Digital Sources: None

Aspect Ratio: 16:9

Details

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DX- Process Plate 45 to passenger and begin parked the pullover and drive down a tree lined residential street. Houses mostly one story. WE run a stop sign and see a motorcycle cop pull in behind us as pulls us over. We stop and wait while he walks up to the car.

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Length: 157 sec.

Format: 4K R3D

Digital Sources: None

Aspect Ratio: 16:9

Details

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DX- Process Plate 45 to passenger and begin parked the pullover and drive down a tree lined residential street. Houses mostly one story. WE run a stop sign and see a motorcycle cop pull in behind us as pulls us over. We stop and wait while he walks up to the car.

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Length: 146 sec.

Format: 4K R3D

Digital Sources: None

Aspect Ratio: 16:9

Details

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DX- Process Plate 45 to Driver and Begin parked the pullover and drive down a tree lined residential street. Houses mostly one story. WE run a stop sign and see a motorcycle cop pull in behind us as pulls us over. We stop and wait while he walks up to the car.

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Info

Length: 147 sec.

Format: 4K R3D

Digital Sources: None

Aspect Ratio: 16:9

Details

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DX- Process Plate 45 to Driver and Begin parked the pullover and drive down a tree lined residential street. Houses mostly one story. WE run a stop sign and see a motorcycle cop pull in behind us as pulls us over. We stop and wait while he walks up to the car.

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Length: 167 sec.

Format: 4K R3D

Digital Sources: None

Aspect Ratio: 16:9

Details

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DX- Process Plate Master straight back and Begin parked the pullover and drive down a tree lined residential street. Houses mostly one story. WE run a stop sign and see a motorcycle cop pull in behind us as pulls us over. We stop and wait while he walks up to the car.

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