Length: 13 sec.

Format: 4:2:2 (LogC)

Digital Sources: None

Aspect Ratio: 16:9

Click for full details

NX- hold New York street in Theater District lined with theatres, people in jackets, winter, cabs away, see 2 New York police cars with emergency lights parked haphazardly in front of Imperial Theater, cops standing out front, crime scenerequires clearance to establish a particular theater and clearance needed for Names of Productions

Length: 10 sec.

Format: 4:2:2 (LogC)

Digital Sources: None

Aspect Ratio: 16:9

Click for full details

NX- tight on New York police car with emergency lights parked in front of brick building with bars on windows (no cop)- African American black male with hoodie on by L-R (crime scene)

Length: 18 sec.

Format: 4:2:2 (LogC)

Digital Sources: None

Aspect Ratio: 16:9

Click for full details

NX- tight on New York police car with emergency lights parked in front of brick building with bars on windows (no cop)- holds then tilts up to apartment window or office building window with blinds down, crime scene

Length: 15 sec.

Format: 35mm 1.33:1

Digital Sources: HI Def & Digi Beta

Aspect Ratio: 16:9

Click for full details

DX- pan L and pull back of Emergency sign to wide on large modern hospital or medical center w/ palms

Length: 30 sec.

Format: 35mm 1.33:1

Digital Sources: HI Def & Digi Beta

Aspect Ratio: 16:9

Click for full details

NX- across to hospital emergency entrance with ambulance parked- paramedics take out gurney with patient and head into hospital then see another ambulance pulling up (New York hospital), late 1980's

Length: 8 sec.

Format: 4:2:2 (LogC)

Digital Sources: None

Aspect Ratio: 16:9

Click for full details

NX- Lock off across to the Cornerstone Cafe in which a ambulance with the emergency lights are on wipes past camera.

Length: 15 sec.

Format: 4:2:2 (Rec709)

Digital Sources: None

Aspect Ratio: 16:9

Click for full details

NX- pan to see a paramedic ambulance with emergency flashing lights on turning left onto city street and away

Length: 29 sec.

Format: Canon 5D

Digital Sources: None

Aspect Ratio: 16:9

Click for full details

DX- Monte Carlo street sign featuring Menton then pan to ambulance with emergency lights on, European street/ foreign street

Length: 15 sec.

Format: 4:2:2 (Rec709)

Digital Sources: None

Aspect Ratio: 16:9

Click for full details

NX- tight on a white male news reporter (nicely dressed holding NNC microphone) reporting a news story on city street with emergency vehicles by with lights on (Paramedics and a fire engine) (more clips with same reporter in various locations and at night) (TV playback) NO sound available

Length: 15 sec.

Format: 4:2:2 (Rec709)

Digital Sources: None

Aspect Ratio: 16:9

Click for full details

NX- tilt up off parked paramedics (emergency lights on) to older nice stone office building, fire escapes

Length: 8 sec.

Format: 4:2:2 (Rec709)

Digital Sources: None

Aspect Ratio: 16:9

Click for full details

NX- hold on 2 parked LA Fire Department Paramedic vehicles with emergency lights on (no activity by vehicles)

Length: 15 sec.

Format: 4:2:2 (Rec709)

Digital Sources: None

Aspect Ratio: 16:9

Click for full details

NX- pan L to 2 parked LA Fire Department Paramedic vehicles with emergency lights on (no activity by vehicles)

Length: 35 sec.

Format: 4:2:2 (Rec709)

Digital Sources: None

Aspect Ratio: 16:9

Click for full details

NX- hold 2 parked LA Fire Department Paramedic vehicles with emergency lights on- then slight pan L to plaza area then pan back to see 2 paramedics loading patient into vehicle

Length: 67 sec.

Format: 4:4:4:4 (LogC)

Digital Sources: None

Aspect Ratio: 16:9

Click for full details

DX- process plate/driving plates- straight back- runs a stop sign on a residential street, pine trees. We drive for a bit then a motorcycle cop policeman with his emergency lights pulls us over. (various angles)

Length: 74 sec.

Format: 4:4:4:4 (LogC)

Digital Sources: None

Aspect Ratio: 16:9

Click for full details

DX- process plate/driving plates- straight back- runs a stop sign on a residential street, pine trees. We drive for a bit then a motorcycle cop policeman with his emergency lights pulls us over. We see the cop get off his motorcycle and approach the driver's window. (various angles)

Length: 87 sec.

Format: 4:4:4:4 (LogC)

Digital Sources: None

Aspect Ratio: 16:9

Click for full details

DX- process plate/driving plates- straight back- runs a stop sign on a residential street, pine trees. We drive for a bit then a motorcycle cop policeman with his emergency lights pulls us over. We see the cop get off his motorcycle and approach the driver's window. (various angles)

Length: 81 sec.

Format: 4:4:4:4 (LogC)

Digital Sources: None

Aspect Ratio: 16:9

Click for full details

DX- process plate/driving plates- straight back- runs a stop sign on a residential street, pine trees. We drive for a bit then a motorcycle cop policeman with his emergency lights pulls us over. We see the cop get off his motorcycle and approach the driver's window. (various angles)

Length: 95 sec.

Format: 4:4:4:4 (LogC)

Digital Sources: None

Aspect Ratio: 16:9

Click for full details

DX- process plate/driving plates- straight back- runs a stop sign on a residential street, pine trees. We drive for a bit then a motorcycle cop policeman with his emergency lights pulls us over. We see the cop get off his motorcycle and approach the driver's window. (various angles)

Length: 106 sec.

Format: 4:4:4:4 (LogC)

Digital Sources: None

Aspect Ratio: 16:9

Click for full details

DX- process plate/driving plates- straight back- runs a stop sign on a residential street, pine trees. We drive for a bit then a motorcycle cop policeman with his emergency lights pulls us over. We see the cop get off his motorcycle and approach the driver's window. (various angles)

Length: 62 sec.

Format: 4:4:4:4 (LogC)

Digital Sources: None

Aspect Ratio: 16:9

Click for full details

DX- A small dolly move up as a classic pickup truck runs a stop sign and we see a motorcycle cop policeman from the left side street with his emergency flashers get behind and pull over the truck. The cop gets off his bike and approaches the driver side of the truck.