Length: 11 sec.

Format: 4:2:2 (LogC)

Digital Sources: None

Aspect Ratio: 16:9

Click for full details

DX- As part of a large stitched together New York panorama. Shot is tilted up to show 2 tall large modern office buildings (window plate, window POV)

Length: 172 sec.

Format: 4K R3D

Digital Sources: None

Aspect Ratio: 16:9

Click for full details

DX- Process plate POV forward along the Strip in Las Vegas. Not many cars. We are at a BUS or TRUCK Height. The strip has light traffic.

Length: 11 sec.

Format: 4:2:2 (LogC)

Digital Sources: None

Aspect Ratio: 16:9

Click for full details

DX- As part of a large stitched together New York panorama. Shot is tilted up across to 1 tall large modern office building (window plate, window POV)

Length: 45 sec.

Format: 4K R3D

Digital Sources: None

Aspect Ratio: 16:9

Click for full details

DX- Process plate POV forward along the Strip in Las Vegas. Not many cars. We are at a BUS or TRUCK Height. The strip has light traffic.

Length: 12 sec.

Format: 4:2:2 (LogC)

Digital Sources: None

Aspect Ratio: 16:9

Click for full details

DX- As part of a large stitched together New York panorama. Shot features a slightly down rake across the roof of a building, see large modern building on left (window plate, window POV) (pan and tile stitched series)

Length: 317 sec.

Format: 4K R3D

Digital Sources: None

Aspect Ratio: 16:9

Click for full details

DX- Process plate POV forward along the Strip in Las Vegas. Not many cars. We are at a BUS or TRUCK Height. The strip has light traffic. We stop at a light and can used used as a Las Vegas strip establishing shot.

Length: 11 sec.

Format: 4:2:2 (LogC)

Digital Sources: None

Aspect Ratio: 16:9

Click for full details

DX- As part of a large stitched together New York panorama. Shot is angled down from the roof we are shooting from and we see parts of older buildings across the street and part of modern bldg on right, (window plate, window POV, roof POV)

Length: 169 sec.

Format: 4K R3D

Digital Sources: None

Aspect Ratio: 16:9

Click for full details

DX- Process plate POV forward along the Strip in Las Vegas. Not many cars. We are at a BUS or TRUCK Height. The strip has light traffic. We stop at a light and can used used as a Las Vegas strip establishing shot.

Length: 13 sec.

Format: 4:2:2 (LogC)

Digital Sources: None

Aspect Ratio: 16:9

Click for full details

DX- As part of a large stitched together New York panorama. Shot is pointed down and we several older buildings and one modern one, see rooftops (window plate, window POV, roof POV)

Length: 662 sec.

Format: 4K R3D

Digital Sources: None

Aspect Ratio: 16:9

Click for full details

DX- Process plate POV forward along the Strip in Las Vegas. Not many cars. We are at a BUS or TRUCK Height. The strip has light traffic. We stop at a light and can used used as a Las Vegas strip establishing shot.

Length: 13 sec.

Format: 4:2:2 (LogC)

Digital Sources: None

Aspect Ratio: 16:9

Click for full details

DX- As part of a large stitched together New York panorama. Shot is pointed down to one modern building and roof. (window plate, window POV, roof plate) (pan and tile stitched series)

Length: 166 sec.

Format: 4K R3D

Digital Sources: None

Aspect Ratio: 16:9

Click for full details

DX- Process plate master straight back tilted down a few degrees along the Strip in Las Vegas. Not many cars. We are at a BUS or TRUCK Height. There is a motorcycle cop behind us but won't be seen when bus or truck is placed in the shot.

Length: 11 sec.

Format: 4:2:2 (LogC)

Digital Sources: None

Aspect Ratio: 16:9

Click for full details

DX- As part of a large stitched together New York panorama. Shot is pointed down and we see some downtown buildings with city street and sidewalk and a piece of a large modern office building and roof on right, (window plate, window POV, roof POV, could be suicide POV).

Length: 36 sec.

Format: 4K R3D

Digital Sources: None

Aspect Ratio: 16:9

Click for full details

DX- Process plate master straight back tilted down a few degrees along the Strip in Las Vegas. Not many cars. We are at a BUS or TRUCK Height. There is a motorcycle cop behind us but won't be seen when bus or truck is placed in the shot.

Length: 15 sec.

Format: 4:2:2 (LogC)

Digital Sources: None

Aspect Ratio: 16:9

Click for full details

DX- As part of a large stitched together New York panorama. Shot is pointed down off roof to large modern office building and part of city street and sidewalk, (window plate, window POV, roof POV, could be suicide POV).

Length: 274 sec.

Format: 4K R3D

Digital Sources: None

Aspect Ratio: 16:9

Click for full details

DX- Process plate master straight back tilted down a few degrees along the Strip in Las Vegas. Not many cars. We are at a BUS or TRUCK Height. There is a motorcycle cop behind us but won't be seen when bus or truck is placed in the shot.

Length: 12 sec.

Format: 4:2:2 (LogC)

Digital Sources: None

Aspect Ratio: 16:9

Click for full details

DX- As part of a large stitched together New York panorama. Shot is raked and we see part of the roof ledge we are shooting off of looking slightly down to parts of other large modern buildings (window plate, window POV, roof POV, could be suicide POV).

Length: 592 sec.

Format: 4K R3D

Digital Sources: None

Aspect Ratio: 16:9

Click for full details

DX- Process plate master straight back along the Strip in Las Vegas. Not many cars. We are at a BUS or TRUCK Height. There is a motorcycle cop behind us but won't be seen when bus or truck is placed in the shot. We stop at the end and can be a shot of the Las Vegas strip also. Shot is tilted down a bit and we see a limo as we stop.

Length: 11 sec.

Format: 4:2:2 (LogC)

Digital Sources: None

Aspect Ratio: 16:9

Click for full details

DX- As part of a large stitched together New York panorama. Shot is looking down along building rooftop metal grids, steam, see large modern building in bg. (window plate, window POV). (pan and tile stitched series)

Length: -616 sec.

Format: 4K R3D

Digital Sources: None

Aspect Ratio: 16:9

Click for full details

DX- Process plate master straight back along the Strip in Las Vegas. Not many cars. We are at a BUS or TRUCK Height. There is a motorcycle cop behind us but won't be seen when bus or truck is placed in the shot. We stop at the end and can be a shot of the Las Vegas strip also.