Length: 13 sec.

Format: 35mm

Digital Sources: HI Def & Digi Beta

Aspect Ratio: 16:9

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DX- hold then pan L off 3-story brick apartment building on intersection city street. Police car passes thru.

Length: 7 sec.

Format: 35mm

Digital Sources: HI Def & Digi Beta

Aspect Ratio: 16:9

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DX- white with blue strip Police car passes thru intersection then pan L to raked down city street with many trees in front of 2-3 story buildings with stores on bottom.

Length: 155 sec.

Format: 4:4:4:4 (LogC)

Digital Sources: None

Aspect Ratio: 16:9

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NX- MPOV/SPOV from passenger side, inside police car- Through windshield, city street, small businesses, rundown/low income area. Palms. Has matching shots with camera mounted to outside of police car and MPOVs back to car/ahead of car

Length: 133 sec.

Format: 4:4:4:4 (LogC)

Digital Sources: None

Aspect Ratio: 16:9

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NX- MPOV/SPOV from passenger side, inside police car- Through windshield, from back seat, racks back and forth between windshield and security gate, city street, small businesses, rundown/low income area. Palms. Has matching shots with camera mounted to outside of police car and MPOVs back to car/ahead of car

Length: 72 sec.

Format: 4:4:4:4 (LogC)

Digital Sources: None

Aspect Ratio: 16:9

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NX- MPOV- Straight Back- Holding on front of white police car (non emergency), city street, mostly small businesses to lower income area. See suspect/criminal in backseat. Palms. Has matching shots with camera mounted to outside of police car and SPOVs from inside car

Length: 141 sec.

Format: 4:4:4:4 (LogC)

Digital Sources: None

Aspect Ratio: 16:9

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NX- MPOV- Straight Back- Holding on front of white police car (non emergency), city street, small businesses, rundown/low income area. See suspect/criminal in backseat. Palms. Has matching shots with camera mounted to outside of police car and SPOVs from inside car

Length: 425 sec.

Format: 4:4:4:4 (LogC)

Digital Sources: None

Aspect Ratio: 16:9

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NX- Process Plate- Straight Forward- (Really police car, but can work for any vehicle)- Makes Right turn out of driveway, city street, rundown/low income area, small businesses. Comes to stop at red light, continues. Merges continues, makes Left turn into driveway and into parking spot. Palms.

Length: 12 sec.

Format: 4K R3D

Digital Sources: None

Aspect Ratio: 16:9

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DX- hold across harbor water to a Sheriff boat with blue emergency light docked next to small pier with a gray warehouse in bg, see 2 men

Length: 44 sec.

Format: 4K R3D

Digital Sources: None

Aspect Ratio: 16:9

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DX- Raking shot of "The Wall" on the border between the US and Mexico in San Diego. The wall is metal slats and we are in a remote area. (Part of set extension series)

Length: 30 sec.

Format: 4K R3D

Digital Sources: None

Aspect Ratio: 16:9

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DX- Raking shot of "The Wall" on the border between the US and Mexico in San Diego. The wall is metal slats and we are in a remote area. (Part of set extension series)

Length: 32 sec.

Format: 4K R3D

Digital Sources: None

Aspect Ratio: 16:9

Click for full details

DX- Raking shot of "The Wall" on the border between the US and Mexico in San Diego. The wall is metal slats and we are in a remote area. (Part of set extension series)

Length: 33 sec.

Format: 4K R3D

Digital Sources: None

Aspect Ratio: 16:9

Click for full details

DX- Raking shot of "The Wall" on the border between the US and Mexico in San Diego. The wall is metal slats and we are in a remote area. (Part of set extension series)

Length: 30 sec.

Format: 4K R3D

Digital Sources: None

Aspect Ratio: 16:9

Click for full details

DX- Raking shot of "The Wall" on the border between the US and Mexico in San Diego. The wall is metal slats and we are in a remote area. (Part of set extension series)

Length: 28 sec.

Format: 4K R3D

Digital Sources: None

Aspect Ratio: 16:9

Click for full details

DX- Raking shot of "The Wall" on the border between the US and Mexico in San Diego. The wall is metal slats and we are in a remote area. (Part of set extension series)

Length: 43 sec.

Format: 4K R3D

Digital Sources: None

Aspect Ratio: 16:9

Click for full details

DX- Raking shot of "The Wall" on the border between the US and Mexico in San Diego. The wall is metal slats and we are in a remote area. (Part of set extension series)

Length: 33 sec.

Format: 4K R3D

Digital Sources: None

Aspect Ratio: 16:9

Click for full details

DX- Raking shot of "The Wall" on the border between the US and Mexico in San Diego. The wall is metal slats and we are in a remote area. (Part of set extension series)

Length: 27 sec.

Format: 4K R3D

Digital Sources: None

Aspect Ratio: 16:9

Click for full details

DX- Raking shot of "The Wall" on the border between the US and Mexico in San Diego. The wall is metal slats and we are in a remote area. (Part of set extension series)

Length: 33 sec.

Format: 4K R3D

Digital Sources: None

Aspect Ratio: 16:9

Click for full details

DX- Hi down showing "The Wall" which is the border between the US and Mexico in Tijuana. We see the ocean in the background. Tijuana is to the left and San Diego to the right. (Part of set extension series)

Length: 26 sec.

Format: 4K R3D

Digital Sources: None

Aspect Ratio: 16:9

Click for full details

DX- Hi down showing "The Wall" which is the border between the US and Mexico in Tijuana. We see the ocean in the background. Tijuana is to the left and San Diego to the right. (Part of set extension series)

Length: 27 sec.

Format: 4K R3D

Digital Sources: None

Aspect Ratio: 16:9

Click for full details

DX- Hi down showing "The Wall" which is the border between the US and Mexico in Tijuana. We see the ocean in the background. Tijuana is to the left and San Diego to the right. (Part of set extension series)