AM Stock Cameo Film Library - 'The World As You Imagine It'
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Searching for ""for lease"" found 3918 matches.
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Info

Length: 23 sec.

Format: 4:4:4:4 (LogC)

Digital Sources: None

Aspect Ratio: 16:9

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NX- tight -pan back and forth off female tarot card readers/fortune tellers at tables waiting for customers, man walks up to one table

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Length: 38 sec.

Format: 4:4:4:4 (LogC)

Digital Sources: None

Aspect Ratio: 16:9

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NX- tight -pan back and forth off female tarot card readers/fortune tellers at tables waiting for customers, man sits at one table for a bit then leaves

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Length: 87 sec.

Format: 4:4:4:4 (LogC)

Digital Sources: None

Aspect Ratio: 16:9

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DX- process plate/driving plates- briefly parked then pull away on residential street with pine trees, runs thru stop sign and drive for a bit then pull over and parked. (various angles)

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Length: 85 sec.

Format: 4:4:4:4 (LogC)

Digital Sources: None

Aspect Ratio: 16:9

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DX- process plate/driving plates- briefly parked then pull away on residential street with pine trees, runs thru stop sign and drive for a bit then pull over and parked. (various angles)

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Length: 67 sec.

Format: 4:4:4:4 (LogC)

Digital Sources: None

Aspect Ratio: 16:9

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DX- process plate/driving plates- straight back- runs a stop sign on a residential street, pine trees. We drive for a bit then a motorcycle cop policeman with his emergency lights pulls us over. (various angles)

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Length: 74 sec.

Format: 4:4:4:4 (LogC)

Digital Sources: None

Aspect Ratio: 16:9

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DX- process plate/driving plates- straight back- runs a stop sign on a residential street, pine trees. We drive for a bit then a motorcycle cop policeman with his emergency lights pulls us over. We see the cop get off his motorcycle and approach the driver's window. (various angles)

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Length: 87 sec.

Format: 4:4:4:4 (LogC)

Digital Sources: None

Aspect Ratio: 16:9

Details

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DX- process plate/driving plates- straight back- runs a stop sign on a residential street, pine trees. We drive for a bit then a motorcycle cop policeman with his emergency lights pulls us over. We see the cop get off his motorcycle and approach the driver's window. (various angles)

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Length: 81 sec.

Format: 4:4:4:4 (LogC)

Digital Sources: None

Aspect Ratio: 16:9

Details

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DX- process plate/driving plates- straight back- runs a stop sign on a residential street, pine trees. We drive for a bit then a motorcycle cop policeman with his emergency lights pulls us over. We see the cop get off his motorcycle and approach the driver's window. (various angles)

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Length: 95 sec.

Format: 4:4:4:4 (LogC)

Digital Sources: None

Aspect Ratio: 16:9

Details

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DX- process plate/driving plates- straight back- runs a stop sign on a residential street, pine trees. We drive for a bit then a motorcycle cop policeman with his emergency lights pulls us over. We see the cop get off his motorcycle and approach the driver's window. (various angles)

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Length: 106 sec.

Format: 4:4:4:4 (LogC)

Digital Sources: None

Aspect Ratio: 16:9

Details

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DX- process plate/driving plates- straight back- runs a stop sign on a residential street, pine trees. We drive for a bit then a motorcycle cop policeman with his emergency lights pulls us over. We see the cop get off his motorcycle and approach the driver's window. (various angles)

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Length: 25 sec.

Format: 4:4:4:4 (LogC)

Digital Sources: None

Aspect Ratio: 16:9

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NX- low angle- stylized camera moments for subjective POV as if hiding to rake down EMPTY narrow New Orleans alley- Pedestrian Mall lined with businesses/stores/restaurants,

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Length: 47 sec.

Format: 4:4:4:4 (LogC)

Digital Sources: None

Aspect Ratio: 16:9

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NX- low angle- stylized camera moments for subjective POV as if hiding to rake down EMPTY narrow New Orleans alley-Pedestrian Mall lined with businesses/stores/restaurants,

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Length: 1 sec.

Format: 4:4:4:4 (LogC)

Digital Sources: None

Aspect Ratio: 16:9

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NX- low angle- stylized camera moments for subjective POV as if hiding to rake down EMPTY narrow New Orleans alley-Pedestrian Mall lined with businesses/stores/restaurants,

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Length: 24 sec.

Format: 4:4:4:4 (LogC)

Digital Sources: None

Aspect Ratio: 16:9

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NX- low angle- stylized camera moments for subjective POV as if hiding to rake down narrow New Orleans alley- Pedestrian Mall lined with businesses/stores/restaurants, see young couple enter bldg then EMPTY

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Length: 35 sec.

Format: 4:4:4:4 (LogC)

Digital Sources: None

Aspect Ratio: 16:9

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NX- low angle- stylized camera moments for subjective POV as if hiding to rake down EMPTY narrow New Orleans alley-Pedestrian Mall lined with businesses/stores/restaurants

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Length: 78 sec.

Format: 4:4:4:4 (LogC)

Digital Sources: None

Aspect Ratio: 16:9

Details

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NX- low angle- stylized camera moments for subjective POV as if hiding to rake down EMPTY narrow New Orleans alley-Pedestrian Mall lined with businesses/stores/restaurants

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Length: 91 sec.

Format: 4:4:4:4 (LogC)

Digital Sources: None

Aspect Ratio: 16:9

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DX- Process plate 45 to passenger on a residential street of one and two story houses. Trash cans, green trees. Parked for 30 seconds then pull out and drive then drive on the wrong side of the street and break suddenly hard/abrupt stop, bad driver. (various angles)

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Length: 67 sec.

Format: 4:4:4:4 (LogC)

Digital Sources: None

Aspect Ratio: 16:9

Details

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DX- Process plate 45 to passenger on a residential street of one and two story houses. Trash cans , green trees. start off parked for 30 seconds then pull out and drive then drive in the middle of the street and suddenly stop hard/abrupt stop, bad driver (various angles).

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Length: 160 sec.

Format: 4:4:4:4 (LogC)

Digital Sources: None

Aspect Ratio: 16:9

Details

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DX- Process plate 45 to passenger on a residential street of one and two story houses. Trash cans, green trees, parked for 30 seconds then pull out and drive then drive in the middle of the street and suddenly stop hard/abrupt stop, bad driver (various angles)

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Length: 72 sec.

Format: 4:4:4:4 (LogC)

Digital Sources: None

Aspect Ratio: 16:9

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NX- stylized camera moments for subjective POV looking up to a New Orleans lamppost with candle flame to a street lamppost

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