Length: 217 sec.
Format: 4:2:2 (Rec709)
Digital Sources: None
Aspect Ratio: 16:9
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NX- Process Plate- Straight Back- From on-ramp, ND city freeway/highway, moderate traffic including semi trucks. Exits down off-ramp, comes to stop. Few palms.
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Length: 369 sec.
Format: 4:2:2 (Rec709)
Digital Sources: None
Aspect Ratio: 16:9
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NX- Process Plate- 45 to Driver- From on-ramp, ND city freeway/highway, moderate traffic including semi trucks. Exits down off ramp, slows to stop. Few palms.
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Length: 289 sec.
Format: 4:2:2 (Rec709)
Digital Sources: None
Aspect Ratio: 16:9
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NX- Process Plate- 45 to Driver- From on-ramp, ND city freeway/highway, can be industrial, some can be rural. Light to moderate traffic, including semi trucks. Pulls over to shoulder on off-ramp, parks, holds (for approx. 58 seconds, can be locked off plate). Pulls away, continues down off-ramp. Some palms.
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Length: 209 sec.
Format: 4:2:2 (Rec709)
Digital Sources: None
Aspect Ratio: 16:9
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NX- Process Plate- 45 to Driver- From on-ramp, ND city freeway/highway, can be industrial, some can be rural. Light traffic including semi trucks. Exits off-ramp, makes Left turn at end of ramp. Some palms.
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Length: 267 sec.
Format: 4:2:2 (Rec709)
Digital Sources: None
Aspect Ratio: 16:9
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NX- Process Plate- 90 to Driver/2 Shot to Driver side plates- From circular on-ramp, ND city freeway/highway, light to moderate traffic, including semi trucks. Industrial, some rural. Pulls over to shoulder on off-ramp, parks, holds (for over one minute, can be locked off plate).
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Length: 212 sec.
Format: 4:2:2 (Rec709)
Digital Sources: None
Aspect Ratio: 16:9
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NX- Process Plate- 45 to Passenger- Up on-ramp to ND city freeway/highway, see shopping centers/strip malls/car dealerships. Light traffic, including semi trucks. Exits down circular off-ramp, slows to stop at end. Palms.
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Length: 28 sec.
Format: 35mm 1.33:1
Digital Sources: HI Def & Digi Beta
Aspect Ratio: 16:9
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DX/late afternoon - Moderate to heavy traffic on 2 freeways merging with city skyline/Nashville skyline in bg, cars & semi trucks toward camera, some have lights on. (Nashville and Memphis interchange)
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Length: 18 sec.
Format: 35mm 1.33:1
Digital Sources: HI Def & Digi Beta
Aspect Ratio: 16:9
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DX/late afternoon - tighter on moderate to heavy traffic on freeway with city skyline/Nashville skyline in bg, cars & semi trucks toward camera, some have lights on, see traffic away in bg (Nashville and Memphis interchange)
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Length: 20 sec.
Format: 35mm 1.33:1
Digital Sources: HI Def & Digi Beta
Aspect Ratio: 16:9
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DX/late afternoon - across to highway overpass/ freeway with city skyline/Nashville skyline in bg, cars & semi trucks by (Nashville and Memphis interchange)
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Length: 18 sec.
Format: 35mm 1.33:1
Digital Sources: HI Def & Digi Beta
Aspect Ratio: 16:9
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DX/late afternoon, sunset - down to highway/ freeway split with industrial city skyline/Nashville skyline in bg, cars & semi trucks away, green trees (Nashville and Memphis interchange)
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Length: 15 sec.
Format: 35mm 1.33:1
Digital Sources: HI Def & Digi Beta
Aspect Ratio: 16:9
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DX/late afternoon, sunset - down to highway/ freeway split with industrial city skyline/Nashville skyline in bg, cars & semi trucks away, green trees (Nashville and Memphis interchange)
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Length: 22 sec.
Format: 35mm 1.33:1
Digital Sources: HI Def & Digi Beta
Aspect Ratio: 16:9
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DX/late afternoon - Moderate to heavy traffic on 2 freeways merging with city skyline/Nashville skyline in bg, cars & semi trucks toward camera. (Nashville and Memphis interchange)
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Length: 3 sec.
Format: 35mm 1.33:1
Digital Sources: HI Def & Digi Beta
Aspect Ratio: 16:9
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DX/late afternoon/sunset - Moderate to heavy traffic on 2 freeways merging with city skyline/Nashville skyline in bg, cars & semi trucks toward camera. (Nashville and Memphis interchange)
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Length: 9 sec.
Format: 35mm 1.33:1
Digital Sources: HI Def & Digi Beta
Aspect Ratio: 16:9
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DX/late afternoon/sunset - across wide on 2 freeways/highways merging with moderate traffic- cars & semi trucks toward camera, some have lights on (Nashville skyline in bg)
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Length: 20 sec.
Format: 4:2:2 (Rec709)
Digital Sources: None
Aspect Ratio: 16:9
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DX- down to busy freeway with overpass and "Augusta Blvd/Milwaukee Ave" signs, cars and semi trucks to camera, see El train by fast R-L, taxi cab by L-R, Chicago
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Length: 15 sec.
Format: 4:2:2 (Rec709)
Digital Sources: None
Aspect Ratio: 16:9
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DX- down to busy freeway with overpass and "Augusta Blvd/Milwaukee Ave" signs, cars and semi trucks to camera, see El train by fast L-R, Chicago
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Length: 471 sec.
Format: 4:4:4:4 (LogC)
Digital Sources: None
Aspect Ratio: 16:9
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NX- MPOV- Camera mounted behind bar light atop police car, Forward, Raked Right- From stop, makes Right turn into street from driveway, small businesses, rundown/low income area. Passes 2 parked semi trucks. Comes to stop at red light, continues. Changes lanes, passing cars parked at curb. Comes to stop at another red light, continues. Makes Right turn into gas station, makes U-turn through lot, makes Left turn back into street, heads back in the other direction. Slows to almost stop at red light, changes to green, continues. Merges from 3rd lane to suicide lane, makes Left turn into small parking lot. Palms. Has matching shots with POV from inside police car and MPOVs back to car/ahead of car
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Length: 144 sec.
Format: 4:4:4:4 (LogC)
Digital Sources: None
Aspect Ratio: 16:9
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NX- MPOV/SPOV from passenger side, inside police car- Through windshield, city street, small businesses, rundown/low income area. Passes 2 parked semi trucks. Merges from center to 1st lane. Police on patrol. Has matching shots with camera mounted to outside of police car and MPOVs back to car/ahead of car
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Length: 11 sec.
Format: 4:2:2 (Rec709)
Digital Sources: None
Aspect Ratio: 16:9
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DX- Process Plate/Driving Plate 45 to the passenger on a city street past some semi trucks parked in a yard.
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Length: 196 sec.
Format: 4:4:4:4 (LogC)
Digital Sources: None
Aspect Ratio: 16:9
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DX- 45 to passenger process plate, moving plate on a four lane rural highway ( 2 lanes each direction). Light traffic, some semi trucks; lots of fruit orchards and farmland. (various angles)
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