Length: 72 sec.

Format: Canon 5D

Digital Sources: None

Aspect Ratio: 16:9

Click for full details

DX- hold raked down a Paris street lined with European buildings or foreign apartments, motorcycle vespas away.

Length: 12 sec.

Format: 4:2:2 (Rec709)

Digital Sources: None

Aspect Ratio: 16:9

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DX- hold wider from overpass over bridge to congested freeway with heavy traffic during rush hour to gridlock - more on cars towards camera, white box truck, motorcycle heading up, see 10 fwy signs

Length: 11 sec.

Format: 4:2:2 (Rec709)

Digital Sources: None

Aspect Ratio: 16:9

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DX- hold from overpass tight down to congested freeway with heavy traffic during rush hour to gridlock -cars towards camera, white box truck, motorcycle (surveillance traffic cam)

Length: 11 sec.

Format: 4:4:4:4 (LogC)

Digital Sources: None

Aspect Ratio: 16:9

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NX- tilt up to raked down sidewalk/quiet New Orleans street with girl away, motorcycle away, quaint New Orleans style buildings on right

Length: 67 sec.

Format: 4:4:4:4 (LogC)

Digital Sources: None

Aspect Ratio: 16:9

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DX- process plate/driving plates- straight back- runs a stop sign on a residential street, pine trees. We drive for a bit then a motorcycle cop policeman with his emergency lights pulls us over. (various angles)

Length: 74 sec.

Format: 4:4:4:4 (LogC)

Digital Sources: None

Aspect Ratio: 16:9

Click for full details

DX- process plate/driving plates- straight back- runs a stop sign on a residential street, pine trees. We drive for a bit then a motorcycle cop policeman with his emergency lights pulls us over. We see the cop get off his motorcycle and approach the driver's window. (various angles)

Length: 87 sec.

Format: 4:4:4:4 (LogC)

Digital Sources: None

Aspect Ratio: 16:9

Click for full details

DX- process plate/driving plates- straight back- runs a stop sign on a residential street, pine trees. We drive for a bit then a motorcycle cop policeman with his emergency lights pulls us over. We see the cop get off his motorcycle and approach the driver's window. (various angles)

Length: 81 sec.

Format: 4:4:4:4 (LogC)

Digital Sources: None

Aspect Ratio: 16:9

Click for full details

DX- process plate/driving plates- straight back- runs a stop sign on a residential street, pine trees. We drive for a bit then a motorcycle cop policeman with his emergency lights pulls us over. We see the cop get off his motorcycle and approach the driver's window. (various angles)

Length: 95 sec.

Format: 4:4:4:4 (LogC)

Digital Sources: None

Aspect Ratio: 16:9

Click for full details

DX- process plate/driving plates- straight back- runs a stop sign on a residential street, pine trees. We drive for a bit then a motorcycle cop policeman with his emergency lights pulls us over. We see the cop get off his motorcycle and approach the driver's window. (various angles)

Length: 106 sec.

Format: 4:4:4:4 (LogC)

Digital Sources: None

Aspect Ratio: 16:9

Click for full details

DX- process plate/driving plates- straight back- runs a stop sign on a residential street, pine trees. We drive for a bit then a motorcycle cop policeman with his emergency lights pulls us over. We see the cop get off his motorcycle and approach the driver's window. (various angles)

Length: 12 sec.

Format: 4:4:4:4 (LogC)

Digital Sources: None

Aspect Ratio: 16:9

Click for full details

Dusk- rake down a small town street lined with quaint businesses/stores/restaurants and an old fashioned theater in ebg, see church steeple, motorcycle to camera, fall trees

Length: 21 sec.

Format: 4:4:4:4 (LogC)

Digital Sources: None

Aspect Ratio: 16:9

Click for full details

NX- hold closed storefront shops then pan L to rake down a small town street lined with quaint businesses/stores, bare trees, cars and motorcycle to camera (fall or winter)

Length: 21 sec.

Format: 4:4:4:4 (LogC)

Digital Sources: None

Aspect Ratio: 16:9

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NX- hold then pan L along small town street lined with quaint businesses/stores, vans/SUV, motorcycle away, bare trees, (fall or winter)

Length: 33 sec.

Format: 4:4:4:4 (LogC)

Digital Sources: None

Aspect Ratio: 16:9

Click for full details

DX- hold rake down 2 lane rural highway/rural road through crops/farms/field country, white Suburban SUV away, more cars away then pan R-L with dark gray Dodge Charger away followed by motorcycle and more cars

Length: 59 sec.

Format: 4:4:4:4 (LogC)

Digital Sources: None

Aspect Ratio: 16:9

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DX- from a corner parking lot looking slightly down to sidewalk and busy downtown street, black SUV by, black towncar stopped at light for awhile then goes away on green, non emergency police car away, white cargo van away, taxi cab van away, motorcycle away, sidewalk plates)

Length: 245 sec.

Format: 4K UHD

Digital Sources: None

Aspect Ratio: 16:9

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DX- process plates- back seat drivers side- getting on merging and driving on a rural freeway in between large mountains, cloudy overcast, see large motorcycle group (has other angles)

Length: 38 sec.

Format: Panasonic HPX3700 4:2:2 (Rec 709)

Digital Sources: None

Aspect Ratio: 16:9

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DX- hold down to Los Angeles Freeway with traffic but still flowing, see box truck, city bus, motorcycle on on-ramp merging onto fwy, see American Flag on right

Length: 18 sec.

Format: 4:4:4:4 (LogC)

Digital Sources: None

Aspect Ratio: 16:9

Click for full details

Dusk, late afternoon- hold wide on nice newer construction 2-story house/beige stucco house with stone accents, dark shutters, 3 car garage, small porch, houses in hills in bg, palm trees, lights on, rkd L, cloudy, motorcycle thru

Length: 43 sec.

Format: 8K R3D

Digital Sources: None

Aspect Ratio: 16:9

Click for full details

NX- Process plate 90 passenger to driver begins with a left turn with two motorcycle cops behind onto a city street lined with businesses and some apartments. We stop in the lane. Other angles in scene.

Length: 103 sec.

Format: 8K R3D

Digital Sources: None

Aspect Ratio: 16:9

Click for full details

NX- Process plate 90 passenger to driver begins with a left turn with two motorcycle cops behind onto a city street lined with businesses and some apartments. We stop in the lane. Other angles in scene.